• THE LIMITS OF THE WORLD. THE GENTLENESS OF COLOUR. TWO MONOCHROMES FOR THE VOID [Sculpture] Frosted glass, MDF, stainless steel, silver 200 x 141 x 40 cm | Varese 2024
  • CHERISHING EMPTINESS [Sculpture] Polished brass, 250 x 250 x 40 cm | Palermo 2023
  • REVERSE PENDULUM [Sculpture] Polished brass, 300 x 20 x 63 cm | Palermo 2023
  • THE GLORY [Paintings] Acrylic on canvas, 200 x 200 cm | Palermo 2022
  • THE FLY'S TABLE [Sculpture] Chestnut wood, sugar 263 x 42 x 42 cm | Palermo 2022 
  • PASSIVE LINE [Sculpture] Polished brass 240 x 42 x 25 cm | Palermo 2021 
  • WHITE NOISE [Paintings] Acrylic on canvas, Polyptych [3/100 x 150 cm] + [2/100 x 70 cm] | Palermo 2020
  • NIMBO [Paintings] Acrylic vinyl on canvas, Tritych 200 x 150 cm | #16 elements 70 x 100 cm | Palermo 2020
  • PORO EXPERIENCE [3D Modeling, Rendering, Video Editing] | Palermo 2020
  • MEMORY OF EMPTINESS [Maps] Ink on paper, diameter 113 cm | Ink on parchment, #9 tables, 50 x 70 cm | Palermo 2019

  • TRAFFIC LIGHT [Media-Art Installation] Manifesta 12, 5x5x5 | Palermo 2018
  • KaOZ [Executive Manager] Manifesta 12, Collateral Event | Palermo 2018
  • BURIDAN’S ASS [Exhibition set-up] | Palermo 2018
  • FRACTAL GARDEN [Maps] 300 x 120 cm - UV print, Plexiglas | Palermo 2018
  • UNREST REDUX [Exhibition set-up] | Palermo 2017
  • WHITE ASPAZE [Sculpture] 47 x 98 x h86 cm - Paraffin | Palermo 2017
  • DEEPLY GREEN [Photography] 24,5 x 24,5 cm [#26 photographs + audio-visual usb support, listening THz in Hz] | Palermo 2017
  • LITO [Sculpture] 30 x 30 cm variable size possibilities - Paraffin, wood | Palermo 2017
  • PORO [Sculpture] 100 x 200 x 80 cm - Paraffin, acrylic colour, water, syrup, cellophane, neon green light | Palermo 2016
  • TI°KLI [Architectural project] 400 x 105 cm – Digital print on paper | Palermo 2016
  • DERMA [Maps] 350 x 120 cm - UV print | Palermo 2015
  • THE FIFTH BOOK [Graphic novel] 18 drawings, 33 x 42 cm - Ink on paper | Palermo 2015
  • COSMIC BLOSSOMS [Drawings] 17 drawings, 33 x 42 cm - Ink on paper | Palermo 2015
  • EDITORIAL ILLUSTRATION ‘Un mare di cani. Manuale di cinologia applicata’ [Illustrations and cover] ISBN: 122001236X | Palermo 2015
  • CAMMEO [Graphic novel] 12 drawings, 29,7 x 42 cm - Ink on paper | Palermo 2014
  • PATIO [Graphic novel] 40 drawings, 33 x 42 cm - Ink on paper | Palermo 2014
  • USERS [Scenic design] Theatre play, EU project - Daphne III | Palermo 2012
  • EDITORIAL ILLUSTRATION ‘L’io E il cane’ [Illustrations and cover] Edizioni Altea, ISBN-10: 8897525059 | Palermo 2012
  • ORGANIC REINVENTION [Sculpture] 4 rods, variable sizes | Varese 2012
  • DIMENSIONAL NOTES [Drawings] 9 drawings, 50 x 70 cm - pencil on paper | Palermo 2011
  • LAST SUN [VideoArt] Trilogia “LAST SUN” | Finalist Video Art & Experimental Film Festival al TRIBECA CINEMAS, New York [author with Mauro Colombo] | Varese 2010
  • SPATIAL INSTALLATIONS [Sculpture] Varese 2009
    • L1 | 80 x 40 x 300 cm - Plaster cast, fur
    • L2 |  60 x 270 x 95 cm - Metal          
    • L3 | 160 x 160 x 80 cm – Plaster cast, fur, metal
    • L4 | 240 x 240 x 50 cm - Metal, rubber
  • HASANKEYF WAITING LIFE [Art Director] Documentary 56' Hdv, Hagam productions | Turkey 2008
  • ORGANIC BONE STRUCTURE [Sculpture] Varese 2008
    • The colour of Light 1 | 105 x 105 x 105 cm, plaster cast
    • The colour of Light 2 | 100 x 100 x 120 cm, plaster cast
  • TREE project [Scenic design] Tatsuo Miyajima's artistic project, since Biennale 1999 - Executive committee of the Kaki tree project, VII edit. | Varese 2007
  • THE PHALANX GAME [Sculpture] 175 x 100 x 100 cm, plaster cast | Varese 2006
  • International Festival CORTISONICI [Scenic design] Planning and execution of sets | Varese 2006, Spot ‘07, ‘08
  • FAUSTO [Drawings] 100 x 100 cm, oil pastel on paper | Varese 2004
  • OH MIO DIO [Photography × Sculpture] 100 x 55 x 40 cm - clay | Varese 2003
  • FEVER [Sculpture] 160 x 100 x 80 cm - clay | Varese 2003
  • SILENCES [Sculpture] 55 x 80 x 22 cm - clay | Varese 2003
  • 2024 | No shape, no substance. Personal installation/exhibition, sculpture and painting | Casciago, Varese
  • 2020 | Progetto ARKAD, Manifesta Biennial 13 Marsiglia [PORO Experience]
  • 2019 | L'ECO. Spazio Edicola, Agorà Gallery [Memory of Empiness, White Aspaze] | Palermo
  • 2018 | Manifesta 12, Category: 5x5x5 [Traffic Light] | Palermo
  • 2017 | Contemporary Shot, Palermo per il Contemporaneo × Dimora OZ [LITO] | Palermo
  • 2016 | Riso, Museo d’Arte Contemporanea della Sicilia × International Biennial Contemporary Art Exihibition of Religions and Humanity, The Creation [Ti°kli] | Palermo
  • 2016 | Riso, Museum of Contemporary Art of Sicily × Workshop Origins [DERMA] | Palermo
  • 2016 | Contemporary Shot, Palermo for Contemporary × Dimora OZ [PORO] | Palermo
  • 2015 | Preview BIAS 2016 [Ti°kli] | Cannaregio, Venezia
  • 2010 | Museo Floriano Bodini × Personal Installation [Sculpture, L2] | Gemonio, Varese
  • 2009 | Finalist Video Art & Experimental Film Festival at TRIBECA CINEMAS, presented at Italian Film & Art Festival and at Dio Art Center, Seoul [VideoArt Trilogy LAST SUN] | New York
  • 2009 | Gallery MONTRASIO 5, Collettive exhibition [Sculpture, L2] | Milano
  • 2009 | Finalist Premio San Fedele contest of Fondazione Culturale San Fedele di Milano [Sculpture, L2] | Milano
  • 2009 | OPIFICIO 42, Personal Exhibition [SCULTURA, Spatial Installations] | Varese
  • 2006 | Intervallo : Fuori Salone Milan Design week [Sculpture: Fever, Silenzi] | Milano

Born in Varese in 1976, the artist lives and works in Palermo, Italy. His artistic-evolutionary path originates in form and plastic sculpture, then transforms together with painting and mark-making, arriving at a new, relaxed, meditative rhythm rich in existential assumptions.

"Passing in front of and within the works of Daniele Di Luca is a ritual where word and matter are shaped into an essential reality, 'distracted' in appearance only by certain details, in the profound sense of 'distract': to turn eyes, breath, thought, and heightened attention back to the content. All these attentions involve the time we are in – for the artist who constructs as well as for those who visit his works – a complex of energies that requires a satisfied hunger – according to Luca Traini. There is a new gentle 'doing' – 'doing', 'poetry' – in Daniele's art."